Marshall LaCount's Quieter Places paintings are a collective approach to places quieter than the city; quieter than a mind treading in traumas; quieter than political despondency. These Quieter Places are beyond certain borders. They are elsewhere, for they are not places, they are images. In this case, they are images constructed by aching hands and sore arms which have managed to pull away from other work, made in less quiet places.  Plaster is shaped alongside acrylic paint, wallboard, spray paint. Graffiti and the constant buffing of graffiti get a nod. The works are playful: primary colors occupy measured spaces in largely white fields of textured plaster. This play is a renegotiating of borders.